Literary Partners Program: Red Hen Press presents Peggy Shumaker, Molly Peacock, and Jill Bialosky

Peggy Shumaker is editor of the Boreal Books series (an imprint of Red Hen Press), editor of the Alaska Literary Series at University of Alaska Press, poetry editor of Persimmon Tree, and contributing editor for Alaska Quarterly Review.

Literary Partners Program: Self Help: A Guide for the Retiring

Reading & Signing

Airports, larcenous woodchucks, unearned privilege, vaguely menacing gardens: each poem notes a patch of chaos in the poet's life and imposes some kind of pattern on it. Poreba strives to use language skillfully without getting carried away with it; sound is important in these poems, but more important is authenticity, even at the cost of ridiculousness. (What grandmother thinks of her grandchild as “my DNA cunningly packaged”?)

2018: A Celebration of Fernando Pessoa

Join poets Patricio Ferrari, John Keene, Mónica de la Torre, and Vijay Seshadri for a re-examination of Fernando Pessoa (1888-1935), the seminal Portuguese poet who wrote in the guise of a myriad of personae with distinct biographies and aesthetics. Upon the release of a new translation of The Book of Disquiet—his fragmentary “factless autobiography”—panelists discuss Pessoa’s inventive rejection of a singular authentic authorial voice and its legacy for contemporary poetry. Welcome by Poets House Executive Director Lee Briccetti.

Open Enrollment Class Registration - Henning

$325.00

Attention to style and structure is very important to the writer of tiny fictions, just as it is to poets. That's why flash fiction and prose poetry are often described as borderline genres (between poetry and prose). In this class, you will write five poetic stories or narrative prose poems. Instead of working with the line, we will be working with the sentence and the paragraph. There will be assignments and examples from published writing and some theory.

Price: $325.00

Open Enrollment Class Registration - ford

$325.00

By definition, archeology is the study of human history through the excavation of sites and the analysis of artifacts and other physical remains. By definition, poetry is a similar pursuit: poets excavate sites (and sights), unearthing and examining artifacts in an attempt to understand humanity. In this way, we will consider memories, photographs, and personal geographies as artifacts in order to get at a specific moment in time. By digging beyond the surface and examining these moments, one can begin to make sense of both personal and public histories.

Price: $325.00

Open Enrollment Class Registration - Skillings

$325.00

In her 2012 essay “A Sort of Leaning Against,” Maggie Nelson writes: “For a long time, I worried there was something wrong with me as a writer, because I leaned so heavily on the thinking and writing of others. And further, that instead of wanting to hide that leaning, my impulse has often been to showcase it, to make this thinking-with-others, this weaving of mine and others’ words, part of the texture of my writing.”

Price: $325.00

In Between: Poem and Flash Fiction with Barbara Henning

Attention to style and structure is very important to the writer of tiny fictions, just as it is to poets. That's why flash fiction and prose poetry are often described as borderline genres (between poetry and prose). In this class, you will write five poetic stories or narrative prose poems. Instead of working with the line, we will be working with the sentence and the paragraph. There will be assignments and examples from published writing and some theory.

The Archeology of Poetry—Digging the Moment with t’ai freedom ford

By definition, archeology is the study of human history through the excavation of sites and the analysis of artifacts and other physical remains. By definition, poetry is a similar pursuit: poets excavate sites (and sights), unearthing and examining artifacts in an attempt to understand humanity. In this way, we will consider memories, photographs, and personal geographies as artifacts in order to get at a specific moment in time. By digging beyond the surface and examining these moments, one can begin to make sense of both personal and public histories.

g/leaning: assemblage, quotation, intertextuality with Emily Skillings

In her 2012 essay “A Sort of Leaning Against,” Maggie Nelson writes: “For a long time, I worried there was something wrong with me as a writer, because I leaned so heavily on the thinking and writing of others. And further, that instead of wanting to hide that leaning, my impulse has often been to showcase it, to make this thinking-with-others, this weaving of mine and others’ words, part of the texture of my writing.”

Literary Partners Program: 17th Annual Marsh Hawk Press Book Launch

You are cordially invited to the 17th Annual Marsh Hawk Press Book Launch.

Marsh Hawk Press is celebrating the release of four new titles:

The Blue Hill by Geoffrey O'Brien

Winner of the 2017 Marsh Hawk Press Poetry Prize

Pages

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