On view: Tuesday, December 2, 2014–Saturday, March 21, 2015
From "Happy Holidays" from Langston Hughes to "Seasons Greetings" from Seamus and Marie Heaney, calling cards from Marianne Moore, and handmade valentines between Alice Notley and Ted Berrigan, the sending of poetic holiday cards is a unique and longstanding tradition. Drawn from the Raymond Danowski Poetry Library at Emory University, this exhibition explores the vibrant, often funny, and always fascinating portraits of time, affection and ties of love and friendship.
On view June 1 through 10, 1995
A display of over 300 Canadian poetry books produced since 1990, curated by Roberta Morris and Paul Savoie and co-sponsored by The Writers' Union of Canada. An opportunity to view Canadian poetry-in-print from a wide range of geographic and linguistic communities.
The Exhibition of Canadian Poetry Books is made possible by contributions from the Canadian Consulate General, New York; Québec Government House in New York and the Writers' Union of Canada
On view December 2, 2003 through January 30, 2004 Robert Warner’s box sculptures, created in the spirit of the art of Joseph Cornell and inspired by such American poets as Emily Dickinson, Langston Hughes, Wallace Stevens, Walt Whitman and others, created in response to literary critic Joel Conarroe’s acclaimed anthologies Six American Poets and Eight American Poets.
Exhibition on view May 6 through June 25, 2005
This exhibition features color photographs of Stanley Kunitz's Provincetown garden by Marnie Crawford Samuelson. They are illuminated by new writings by Kunitz (with Genine Lentine) about gardening and creativity. The photographs and writings will be published as The Wild Braid: A Poet Reflects on a Century in the Garden, forthcoming from W. W. Norton this summer.
Coffee House Press traces its history through the turbulence of recent transformations in poetry publishing, from letterpress editions and offset printing to newer technologies. The exhibit—including broadsides, chapbooks and important first editions—provides a capsule view of the trajectory of this independent press (and its precursor Toothpaste Press) renowned for adventurous discoveries, editorial excellence, elegant design and steadfast commitment to writers, readers and poetry.