Elizabeth Bishop’s famous villanelle “One Art” went through 17 drafts and was written over two weeks.

Edith Wharton said, “My last line is latent in my first,” and this workshop will help students structure poems by creating an “initial problem” then moving through that problem, utilizing linear or

In this new series of workshops, we will explore how dreams play an integral part in our poetry, how surrealism (/magic realism) can be used as an effective tool in forging imagery, and how mystici

How do borders shape poetry and the poetic self? Can existing divisions generate new spaces for creativity?

(NOTE: Skipping October 18th)