Poets House welcomes five poets from the International Writing Program at the University of Iowa for an evening of readings and conversation. This event explores various cultural spaces that poetry occupies, internationally and domestically. Director of the International Writing Program, Christopher Merrill introduces visiting poets Johanna Aitchison (New Zealand), Anas Atakora (Togo), Matthew Cheng (Hong Kong), Yao Feng (Macau), and Marie Silkeberg (Sweden).
Rescheduled from October 29
In this artist talk, playwright, poet and filmmaker Liwaa Yazji discusses her art-making as a means of exploring broadly the way people relate to the unknown and endure crisis, sharing work created this fall while in residency as a CEC ArtsLink Fellow at Poets House. To accompany her first book of poetry, Peacefully, we leave home (2014), she directed a documentary film that examines the reflexive relationship between individuals and their homes, particularly during wartime.
Poetry is central to Arabic cultural expression. Contemporary Arabic poetry reflects the whirl of events sweeping across the Middle East -- mourning tragedy, criticizing societal expectations, and engaging fierce political discourse. Robyn Creswell, scholar of the poetry and intellectual history of the Middle East, and Iraqi poet Dunya Mikhail, recipient of the United Nations Human Rights Award for Freedom of Writing, discuss poetry as a way to understand contemporary Arab society.
In her only New York City event for two books newly published this year, Jane Hirshfield, one of the foremost poets of her generation and a master illuminator of poetic craft, will read from The Beauty (poems) and Ten Windows: How Great Poems Transform the World (essays). This will be followed by a conversation with the audience about the ways poetic language, attention, and word-craft navigate and enlarge both personal and shared existence.
Earlier this year, Jerome Rothenberg’s Barbaric Vast & Wild: An Assemblage of Outside & Subterranean Poetry from Origins to Present was published as the twelfth and culminating volume in his formative series on ethnopoetics, begun nearly a half century ago with Technicians of the Sacred (1968). Join Rothenberg as he steps back to reconsider what holds these works together and what the future might be for this omnipoetics, theoretically moving toward a final, perhaps unobtainable, “anthology of everything.”
Myths of African, Asian, Greek, and Roman origin are embedded in World literature, not only as metaphor and moral, but as a measure of humanity’s intrinsic faults or heroism. This workshop will explore timeless myths as a means to discuss modern political, social and spiritual issues through poetry. Poets might consider the risk of flying too high or the folly of flying too low with Icarus. Poets might ask T’ao Ch’ien to lead the residents of Ferguson to the idyllic Peach Blossom Spring.
Are you fascinated by Monarch butterflies? Dark matter? Funiculars? Politics? Medieval art? How do you go about translating that passionate interest onto the page? In this workshop, we will explore how other poets have plumbed their passions—Maggie Nelson in Bluets, Sawako Nakayasu in The Ants, Takashi Hiraide in For the Fighting Spirit of the Walnut, and Harryette Mullen in Sleeping with the Dictionary, to name a few—and will mine our own new or longstanding obsessions to write a series of connected poems.
Throughout the millennia, poets have been inspired by the visual arts as a way into reading the self and soul. This workshop will explore figurations of the soul through our numinous encounters with the visual. How can we create a dialogue with the visual arts that triggers an introspection of the self?