Poetic Prose and the Prose Poem with Barbara Henning
The prose poem is a border genre particularly suited to tracing/guiding consciousness. This workshop will explore poetic possibilities while writing five works in prose and also reading poetry and poetics from some 20th century poetic movements, such as Imagism, Surrealism, Objectivism, Projective Verse and the New York School.
On April 24, 1916, Irish poets, actors, teachers, and citizens armed themselves and took control of key locations throughout Dublin, then under British rule. This rebellion, known as the Easter Rising, set in motion a war for independence, a civil war, the partition of Ireland, and, ultimately, the creation of the Irish Free State. It also reinforced the connection between poetry, politics, and possibility still present in Ireland today.
How do poets and other artists begin to articulate loss, outrage and grief on a grand scale, distilling universal connections that transcend customs and belief systems? This class is an overview of poetry that responds to public tragedy: we will discuss approaches, ethical considerations and craft choices poets make when responding to various kinds of events (acts of war, gun violence, police brutality, natural disaster, etc.) through art.
Since at least the mid-1990s, "queer" has emerged as a socio-political and theoretical framework set in opposition to the normative, "stable" or strictly binary. In 2016, then, what might it mean to write a poetics queerly, to insist upon a queer reading of a text or, indeed, to queer a form? In this workshop, these questions and more will be rigorously explored. We'll sharpen our critical skills through very close readings of a selection of published poems and essays, as well as the work of workshop participants.