Open Enrollment Class Registration - Rivera


The Pleasures and Employment of Form: Sonnet, Sestina, Villanelle, Rondeau with Eléna Rivera

Price: $325.00

Open Enrollment Class Registration - Shepard


The Art of Concealing and Revealing with Neil Shepard

Price: $325.00

The Poets’ Rebellion: Poetry, Memory, and the Easter Rising

On view May 4 - June 21, 2016

On April 24, 1916, Irish poets, actors, teachers, and citizens armed themselves and took control of key locations throughout Dublin, then under British rule. This rebellion, known as the Easter Rising, set in motion a war for independence, a civil war, the partition of Ireland, and, ultimately, the creation of the Irish Free State. It also reinforced the connection between poetry, politics, and possibility still present in Ireland today.

The Elegy: Poetics of Protest and Collective Grief with Kamilah Aisha Moon

How do poets and other artists begin to articulate loss, outrage and grief on a grand scale, distilling universal connections that transcend customs and belief systems? This class is an overview of poetry that responds to public tragedy: we will discuss approaches, ethical considerations and craft choices poets make when responding to various kinds of events (acts of war, gun violence, police brutality, natural disaster, etc.) through art.

F****** Theory with Sara Jane Stoner

“Theory is not inherently healing, liberatory, or revolutionary. It fulfills this function only when we ask that it do so and direct our theorizing to this end….the possession of a term does not bring a process or practice into being.” – bell hooks, Teaching to Transgress

Starting with Art with Joseph Stanton

Joseph Stanton, a widely published poet who happens also to be an art historian, offers a workshop that will go beyond ekphrasis to encourage the writing of poems in response to any and all forms of artistic experience. Participants will be provided approaches to use when writing poems in response to witnessings and/or participations in such forms as paintings, movies, fairy tales, plays, and sports events. Poetry as a means of inquiry will be the emphasis throughout.

Weaving and poetry with Jill Magi

This workshop begins with a forty-five minute work session where we will make small cardboard looms, take bits of thread and fabric, and make page-sized weavings. No textile arts experience is necessary. Without theorizing, we'll then move right into a writing session where we will transfer this sense of play and "in-expertise" to the blank page. Of course the connection between "to write" and "to weave" is present in the word "text," so we will be building on that ancient association.

Re-visioning Home with Wendy S. Walters

In this class we will practice engaging with architecture and social spaces that comprise our idea of home through a series of interrelated exercises. We will focus on various concepts of residence—and what kind of living takes place in them. While one definition of home includes space for the body, another definition might indicate space for the mind. How we reveal our intimate understanding of place is always a risk, because in showing others the shape of where we feel most welcome, we are also inviting them in.

As Leaves to a Tree: How to Let Poems Start Themselves with Geoffrey Nutter

When John Keats said "If poetry comes not as easily as leaves to a tree, it had better not come at all," he wasn't suggesting that poems should come quickly: after all, that is not how leaves come to a tree. Still, for any of us who have ever tried to start a poem and found it difficult or maddening for one reason or another, it's a rather intimidating statement. But what if we could take Keats's aphorism and challenge it on our own terms? In this intensive one-day class, we will do just that.

Master Class with Ada Limón

Saturday, May 28, 2:00-6:00pm
Sunday, May 29, Noon-4:00pm

Ada Limón is the author of four books of poetry, including Bright Dead Things, which was named a finalist for the 2015 National Book Award in Poetry and the National Book Critics Circle Award. She serves on the faculty of Queens University of Charlotte Low Residency M.F.A program, and the 24Pearl Street online program for the Provincetown Fine Arts Work Center.

Application deadline: May 1


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