Part of the Annual Chapbook Festival, Wednesday, March 2–Saturday, March 5
Visual artist and poet Jen Bervin and Ugly Duckling Presse editor and poet Anna Moschovakis discuss the way the chapbook has shaped their work, sharing highlights from their own collections and the Poets House archive.
This afternoon features a group presentation by contributors to The Grand Piano, a ten-book experiment in autobiography by ten writers affiliated with Language Poetry in San Francisco. A panel discussion moderated by Catherine Taylor follows.
Creating art in response to poetry since the 1960s, Ed Colker has "produced pure expressions, stirring symbols of inner truths or imaginings that can sometimes be inspired by or incite poetry" (New York Times).
These works on paper bring together text and image in what Star Black describes as “visual pages,” which, like linguistic acts of creation, are “brief and bounded by space.”
Poet and photographer Star Black is the author of five books of poetry, most recently Ghostwood. Her photographs are in the Berg Collection of the New York Public Library and the Library of Congress. Her collages have been exhibited in various galleries in New York City and Long Island.
The exhibit “Walking, Poems & Buildings” features poems and architectural models of a bus shelter, a “writer’s hut” and a nature observation center created collaboratively by students of poet Annie Finch and architect Ben Jacks at Miami University. This show explores the ways in which architects and poets build and inhabit durable and harmonious forms, and how walking creates a rhythmic link between the two pursuits.
The first New York presentation of 20 exquisite monoprints illustrating scenes from Dante’s Purgatorio by the renowned artist Milton Glaser.
Milton Glaser is among the most celebrated graphic designers in the United States. He co-founded the revolutionary Pushpin Studios in 1954, founded New York Magazine with Clay Felker in 1968, and established Milton Glaser, Inc. in 1974. He has had retrospective exhibitions at both the Centre Georges Pompidou in Paris and the Museum of Modern Art.
A rare glimpse into the archives of Dwight Ripley, little-known figure behind the pivotal Tibor de Nagy Gallery.
Showplace for New York School painters, the gallery also published a series of chapbooks by many of those who later became known as the New York School of Poets. Among the items on display are John Ashbery’s first book, Turandot; a rare copy of Frank O'Hara's Oranges (original cover by Grace Hartigan); a painting by Helen Frankenthaler; and samples of Ripley’s own drawings