Reading and Book Launch for Beyond the Margins

In this reading, contributors to June S. Gould's new book, Beyond the Margins: Rethinking the Art and Craft of Writing Master Writing Workshops for Advanced and Committed Writers will share their writing.

Free refreshments following the event.

Master Class on Revision and Close Reading

Master Class Application Deadline: EXTENDED TO Friday, October 26, 2012

Winner of the Ruth Lilly Lifetime Achievement Award for poetry, Fanny Howe has written numerous books of prose and poetry, most recently Come and See. She has won the Lenore Marshall Award, the Commonwealth of California Award and is professor of writing emerita at the University of California, San Diego.

Shadows and Mayhem: Writing Beyond the Known

In this workshop, students will explore strategies for generating new poems and revising older work, always with the intent of surprising themselves. Drawing primarily from the Spanish, Latin American and Caribbean surrealist and magical realist canons, students will be encouraged to break free of their usual processes and practices in order to write the poems they never knew they wanted to write.

Begin to Build a Poem with Estha Weiner

In this introductory workshop, students will learn the tools to help build a poem: language, line breaks, music, sound, silence, shape, structure, image and even a little mystery. They will also read wonderful poems by other writers, their choice and the instructor’s, and maybe do an exercise or two.

Estha Weiner is author of The Mistress Manuscript, Transfiguration Begins At Home, and the forthcoming In The Weather of The World. She teaches at City College.

Generating, Revising, Polishing: The Practice of Poetry Writing

Generating new work and revising it might be thought of as the in-breath and out-breath of poetry. And the gathering of poets—of all levels—supporting and challenging one another, is the workshop community in which poems can respire. In this workshop, students are encouraged to work on unfinished poems with writing exercises provided. Group critiquing will address the precision of language, rhythm, and form. The ease of writing poetry (like a series of breaths) will be cultivated.

Manuscript Workshop with Kathleen Ossip

New poets spend a long time developing a basic sense of mastery. Eventually, they have 10 or 20 or 30 poems they are proud of. What next? For many poets, the answer is: Putting together a chapbook or book-length manuscript. After spending so much time crafting individual poems, it can be difficult to see the big picture. In this workshop, students will explore the manuscript process: grouping, organizing, pruning and adding to their book or chapbook. Students will spend class time reading and discussing their manuscripts, focusing on how the individual poems cohere as a satisfying whole.

A Conversation with Robert Hass and E. O. Wilson

Former U.S. Poet Laureate Robert Hass, author of What Light Can Do: Essays on Art, Imagination, and the Natural World, engages in conversation with the internationally-acclaimed scientist, entomologist and two-time Pulitzer Prize winner E.O. Wilson, author of The Social Conquest of Earth, about the intersections between science and poetry. These two extraordinary thinkers and writers — together for an unmissable conversation — discuss poetry, consciousness, evolution and the environment.

Passwords: Marjorie Perloff on John Cage

Renowned scholar and critic Marjorie Perloff discusses American composer and music theorist John Cage.

Exploring his poetic texts, Perloff looks at his role as a central precursor of Conceptualist poetics. In such works as “Writing through Howl,” and the critical biographical “essays” on Jasper Johns, Robert Rauschenberg and Arnold Schoenberg—essays largely constructed from the words of the artists (and composer) themselves—Cage invented a new form of poem-critique that looked ahead to our own moment.

Russian Masters: The Life and Work of Osip Mandelstam and Marina Tsvetaeva

Jean Valentine, co-translator of Dark Elderberry Branch: Poems of Marina Tsvetaeva, and poet and editor Christian Wiman, translator of Stolen Air: Selected Poems of Osip Mandelstam, discuss the lives of these two pillars of 20th-century Russian poetry and read their work.

Poet Ilya Kaminsky, co-translator of Dark Elderberry Branch: Poems of Marina Tsvetaeva, is unable to attend this program as previously advertised.

Passwords: David Hinton on Classical Chinese Poetry

RESCHEDULED from Thursday November 1st due to Superstorm Sandy

The rivers-and-mountains tradition in Chinese poetry is among the earliest and most extensive literary engagements with wilderness in human history and is a system of deep ecological thought, which feels remarkably contemporary. David Hinton has been translating this poetry for decades, and his many books have earned wide acclaim for creating compelling contemporary poems that convey the texture and density of the originals.

Pages

Subscribe to Poets House RSS